But, I do not consider this to be a game that you should sprint through a single time and lock in a cupboard for the rest of your console's life cycle. In fact, with Metal Gear Solid being one of my favorite series since its creation, I don't think any of the MGS entries should be played that way. If you're a fan of the series, then you know that each game is packed with intricacies and secrets that are easily overlooked on the first, second, even third playthrough, and Ground Zeroes is no different. Ground Zeroes is a small sandbox, yet it contains more than enough depth to provide dozens of hours of entertainment for those who are willing to sink into it.
I'm aware that I'm breaching into the "No True Scotsman" fallacy a bit; I'm not saying that you're only a proper Metal Gear connoisseur if you squeeze every ounce of juice you can get out of each game. But, I am trying to at least suggest that Hideo Kojima always supplies plenty of hidden content and timeless fun if you have the determination to take your time with the game; to play around, tinker, explore, try new things, and attempt to push the AI as far as it can go. Do so, and you'll likely find some neat surprises. I've played through the main mission three times now and each instance has been incredibly different from the last, because my growing knowledge of the landscape allowed me to test different approaches, experiment with other methods of combat, and seek alternate paths to my goal.
This leads to some irreplaceable "Ah, ha!" moments as you impressively outsmart the enemy and test the limits of the controls and intuitive mechanics. How will you enter the facility where they are holding Paz? At first glance, there are clearly a few doors you can enter that would lead right to where you want to go. But you can also discover drainage grates that provide a sneakier side entry, or you can take the more vertical approach, climbing up over buildings near the watch towers and over the pesky security cameras. You can use a tranquilizer gun to take down everyone in your path, or interrogate a soldier to uncover the location of a Sniper Rifle to eliminate the opposition at long-range. If you're patient, you can track the movement of one of the trucks and hop in back as the driver steps out for a smoke, letting them take you right through the front gate before you leap out of your impromptu Trojan Horse. Whether you want to run and gun or carefully slide past all threats, Ground Zeroes provides a way to cater to your playstyle and give you dozens of options when looking for the path of least resistance.
And this all works so well because the control scheme holds everything together like glue. Controlling Snake is buttery smooth; sprinting and diving makes the player aware of Snake's heavy weighted gear and the crawling animation demonstrates a noticeable friction as Snake scrapes along the terrain. The gun play is an ultimately satisfying experience; each shot sounds with a pop and elicits the expected amount of recoil. You can switch between using the over-the-shoulder aim or using the sight rails for a first person option. Within the options you can set the aiming schemes to toggle so that even if you exit aiming, you'll snap right back to your preferred viewpoint if you raise your weapon again. And with plenty of control layouts to try and sensitivities to tweak, Snake will play in a way that's most comfortable to you.
The big question for me (and many others, certainly) concerning MGSV Ground Zeroes and The Phantom Pain is centered on the new voice direction Kojima went with for Snake. So, does Kiefer Sutherland fill the deep shoes left behind by David Hayter? So far, I'd say that the answer hasn't quite made itself apparent yet. The truth is, Ground Zeroes is very light on the cutscenes (just now, a gasp was heard from Metal Gear fans around the world), and its even lighter on the lines Big Boss gets to deliver. But, the words that were spoken by Sutherland are definitely solid. Big Boss has a more reserved demeanor this time around, but you really feel the rage and tension building from within, especially during the final moments of the main mission. As a longtime player of the series, it's quite difficult to separate Solid Snake and Big Boss from Hayter's gruff, iconic voice, and in some ways, the differences will always stand out. But, I do think that Sutherland is the right man for the job and certainly offers a wider range in Snake's emotions than we've previously heard from the character's admittedly monotonous tune. There is still a lack of material, however, to give proper judgement, so we'll just need to wait (patiently, I suppose) for The Phantom Pain.
And that seems to be the common theme here; Ground Zeroes serves as a small, exquisite appetizer that symbolizes the promise of an even bigger, more satisfying meal to come. Don't get me wrong, the appetizer was phenomenal and enjoyed every bite; but I'm still sitting at the table, hungry.
No comments:
Post a Comment